Bill Jay recalls the Creative Camera days in Ag51
In the first part of a two-part feature, Bill Jay writes about photography in Britain, Europe and The USA during the 1960s and about his time in the editor's chair at Creative Camera, in the new issue of Ag. Here he is writing about his first meeting with an influential young photographer pictured here by Jay, posing in a New York cafe in 1968. Jay writes: “I was under pressure to get off the next issue of the magazine, and struggling with layout sheets over my desk, when a stranger barged in. He was bedraggled with unruly reddish hair and a Fu Manchu moustache. He carried an 8x10in yellow box under his arm. His first words were: “Your magazine’s shit! But I can see you’re trying, so I’ve come along to help.” Offended, I replied: “Then you had better put your pictures where your mouth is, because I don’t know you or care to. Show me what you have to offer.” He gave me the box, full of magic prints. I said: “OK, I’m convinced. You do have something to teach me. Who are you?” “Tony Ray-Jones,” he replied." Portrait of Tony Ray-Jones © Bill Jay, from Bill Jay's Album, published by Nazraeli Press.




